Conversation Post: Answer 4
Nov. 26th, 2013 12:53 pmFrom: meepalicious at LJ.
What first inspired you to crowdfund your writing?
There wasn’t one inspiration, but several.
I am a control freak. Being out of control was something that worried me about traditional publishing, so, even though I have always wanted to see my book on a shelf, I wasn’t sure about working with someone to do that. They might have wanted to change things that I didn’t think should be changed, especially as I always knew that some of my characters were going to be different to the norm. With crowdfunding I could keep control – as well as let certain things be guided by my audience. Not by some editor who was basing his opinions on what the sales department thought would be the new bestseller. Letting the people who read my work be able to plot stories for me or create characters was important to me and by crowdfunding that’s something I can let people do whenever they want.
Another important thing for me was being able to know where my income was coming from and who liked what the best. Taking donations means that I can do that, with the rentals and adoptions I have a chance to write stories for people I might not have written if it wasn’t for their interest, and with everything that’s happened it means I can put out a plea for money and I may well be lucky enough to get it. If I was traditionally published I wouldn’t be able to do that. Having the website means I can update people on how I’m getting along, on why something may be taking much longer than I planned, and really get to know my readers, which is something I really wanted a chance to do. I don’t want to be inaccessible.
To be honest it was when I saw what people like Elizabeth Barrette, M. C. A. Hogarth, and Lyn Thorn-Alder were doing that I made my final decision. Out of all the crowdfunders I’ve got to know I have to say that the three of them have inspired me the most. We all work differently: Elizabeth writes poetry during her monthly fishbowls; M. C. A. posts her prewritten serials (and the one that got me thinking about different ways of doing things was Flight of the Godkin Griffin, which I loved); and Lyn does a mix of the two with her fiction; while I experiment and try to find what works best for me, because I’m still learning about the whole thing.
Lyn was writing to earn money to help her cat when I first found her work. I’m always a sucker for a fluffy creature in distress, so I tossed some money her way and went hunting to see what it was she actually did. In that order. Cat came first. Now I’m not going to say I like everything she does, but I like more of it that I dislike and she if she’s written something in one of my favourite series of hers I am going to read it. She’s someone I enjoy writing fanfiction for too, although I haven’t been doing as much as I’d like at the moment, and as I know she works around her writing I have great respect for her.
Elizabeth was someone I vaguely knew of before I went to help Lyn. I think even then I was a member of the crowdfunding group on LiveJournal, so I’d see her advertising her fishbowl, but I’m never much enjoyed poetry and that meant I didn’t actually read any of her work until I started posting mine. That was when she started getting into the Donor House collection. Back then I didn’t think I’d have any readers and then there she was, telling me that what I was writing was good (although full of typos back then), that she enjoyed reading what I was writing, and I don’t think I’ll ever be able to truly tell her how much having her there, especially at times when I was thinking about walking away, helped me. She’s created characters, a whole world, plotted out a story for me, and pretty much been the best friend you could have when you were starting out with something like this.
M. C. A. is someone I know. I don’t think she knows me. I am a friend on her LiveJournal, but I don’t comment much. Instead I lurk and read, because I love her worlds and her characters. She’s one of the reasons I decided to explore less human characters – her races are so diverse and I realised that’s what I wanted to be writing about, as well as the humanoids. If it wasn’t for her I don’t think the Nox Gadael or the Terra Lepus would exist, because there was no one else around doing that sort of thing any more. When I was younger I used to love the Animals of Farthing Wood and Beatrix Potter, but they were for children, and the majority of the races in more adult fantasy were humanoid – dwarves, elves, even trolls and orcs. None of them are animals, none of them are animalistic, and I was worried there might not be people out there who wanted to read about creature races (or races that are harder to understand for humans because they’re so different), but thanks to her I realised there are people who like to read things that aren’t necessarily on the shelves of a bookstore.
Mirrored from K. A. Webb Writing.